Is critical theory equipped to evaluate the promise of geoenginnering? What is real cause for hope about the near future and what is real fantasy? InterCcECT continues hot ecomarx summer with Andreas Malm’s recent two part series The Future Is the Termination Shock: On theAntinomies and Psychopathologies ofGeoengineering.
As a complement to our last session, we’ll roll towards summer with selections from Soren Mau’s Mute Compulsion. What is in us more than us? What are the modes of repetition in social reproduction, and are those evidence of a capitalist trieb?
Join us Monday 15 May, 4pm, at The Red Lion (Red Line: Fullerton).
Contact us for PDFs. Aim for all of Part I, but focus on Intro and Chapters 1 and 2.
We’ll also be moving towards more summer plans, so bring your reading lists and field trip itineraries!
After a too long interval powered by too good things, InterCcECT reconvenes! Chicago winter has hardly transpired – one of many burning signs that we’re already living the unevenly distributed collapse of the ecosphere. What does the Marxan corpus uniquely offer to the explosion of ecotheory in para- or non-marxist idioms in recent years? Find out with Kohei Saito’s Marx in the Anthropocene! We’ll read the intro and chapter one (and optionally the rest of part one) for Thursday 30 March, 4pm, Map Room.
Often the simplest questions are the most theoretically fruitful. Alenka Zupančič’s What is Sex? works as both an introduction to psychoanalysis and an expert tour of its distance from competing (anti)philosophies. Join us for a special reading session led by Lakshmi Padmanabhan, on the new school holiday 8 November. We’ll read the intro, chapter 1, and chapter 4, and meet at 4pm at The Red Lion (Red Line: Fullerton).
Theory works concentrically, theory works linearly, and most of all it works obliquely.
Join InterCcECT for a seminar with very special guest Professor Alexander Galloway, sharing work in progress on philosophy, art, and angling:
This paper considers the diagonal line as a technique within thought. Inherently formal and spatial, if not also graphical, the diagonal or oblique line has played any number of important roles: from the diagonal of the unit square (which nearly destroyed Pythagoreanism and, later, played an important role in Plato’s “Meno”), to the clinamen or oblique swerve in Lucretius, to the modern intervention of Georg Cantor’s “diagonal argument” (where in 1891 he demonstrated that the real numbers are uncountable), to Gilles Deleuze and Félix Guattari’s postmodern “machine,” defined as a diagonal that cuts through an assemblage. What does it mean to think and act “on the bias”?
(rsvp to firstname.lastname@example.org to receive the paper the week before)
Alexander R. Galloway is a writer and computer programmer working on issues in philosophy, technology, and theories of mediation. Professor of Media, Culture, and Communication at New York University, he is author of several books on digital media and critical theory, including Uncomputable: Play and Politics in the Long Digital Age (Verso, 2021).
InterCcECT is delighted to welcome special guest Professor Ian Balfour for a last minute seminar, “Extreme Austen, or Hyperbole.” Why does a certain rhetoric of excess in Austen tend to get overlooked? We’ll consider some reasons and examples, some easy to read, others not so much.
Join us this coming Tuesday 6 September at 3pm at UIC, in University Hall room 1850 (601 S Morgan St, 18th floor; Blue Line: UIC Halsted).
Also mark your calendars now for another event with a special guest, Professor Alex Galloway, Tuesday 27 September!
What else are your fall theory ambitions? Propose events, topics, field trips, and happenings and Like us on social media for frequent links and commentary.
How do we get out of this place? Why is geography the home discipline for one of the most powerful theorists of abolition? What do we build instead? Join us to discuss Ruth Wilson Gilmore’s new essay collection Abolition Geography. We’ll read the editor’s intro and chapter 1, and aspire to chapter 2.
Successive viral waves, unrelenting loss, and the cumulative strain of semester 5 at Pandemic University have discombobulated InterCcECT too much in recent months, but it is now time to resuscitate! The authoritarian surge warrants more fighting, and also some more thinking. Join us for a discussion of Lauren Berlant’s *America, “Fat,” The Fetus* and all things bodily, genderly, nationcraftly – and mourningly. We’ll meet Monday 13 June, 4pm, outdoors at Pilot Project (Blue Line: Western). And fire up your summer reading lists, as we’ll be making plans for many future sessions.
For reasons of both pleasure and overwork, humanities nerds often long to upload archives directly to our brains — but does the fantasy go the other direction? When will tech host the first uploaded human mind? What are the frontiers of AI and their consequences for mental labor (of academic stripes and otherwise)? How does science fiction work out hypotheses about the human and the machine?
InterCcECT is delighted to host an in-person miniseminar with special guest Professor Gerry Canavan to probe these weird frontiers. We’ll read this short story (composed in the form of a wikipedia article), along with “Bioethics and Transhumanism,” a recent article by Allen Porter.
Join us Tuesday 9 November, 4pm, at UIC, University Hall Room 2028 (20th floor, 601 S Morgan St; Blue Line: UIC Halsted).
A new exhibition from the Newberry Library, curated by Dr. Liesl Olson, spotlights Chicago as a site of historic, boundary-pushing experimentation in art, literature, and dance.Chicago Avant Garde centers five women whose lives and careers embodied a uniquely Chicago style of avant-garde creativity in the 1930s, 40s, and 50s: artist Gertrude Abercrombie, poet Gwendolyn Brooks, dancers Katherine Dunham and Ruth Page, and curator Katharine Kuh.
Open to the public and free, Tuesday – Saturday, 10 am – 4 pm, now through December 30th.
The exhibition is accompanied by a catalog designed by graphic artists Nick Butcher and Nadine Nakanishi of Sonnenzimmer and letterpress printer Ben Blount. It includes more than 100 photographs, an essay by Dr. Olson (Director of Chicago Studies at the Newberry ), and new poems dedicated to each of the five avant-gardists by Chicago-based poet and educator Eve L. Ewing.